Roy Ascott Roy Ascott’s first London exhibition was in 1964, along with the publication of "Behaviourist Art and the Cybernetic Vision" (Cybernetica). His early analogue work called for the viewer’s physical interaction. A progenitor of Telematic Art, his first online projects were Terminal Art -USA/UK, in 1980; La Plissure du Texte: a planetary fairytale for Frank Popper’s Electra, in Paris (1983); and Aspects of Gaia: Digital Pathways across the Whole Earth, Ars Electronica 1989. Many online/installation projects have followed at: V2 Institute for the Unstable Media; Milan Triennale; European Media Festival; Venice Biennale; Biennale do Mercosul, Brazil. Cybernetics also informed his Groundcourse in London early 1960s, and the subsequent radical (shortlived!) restructuring of OCAD Toronto, as its President. He was Professor at MCAD, Minneapolis, and then Vice-President of San Francisco Art Institute, in the 1970s; Professor for Communications Theory, Universitat fur angewandte Kunst, Vienna, in the 1980s; University of Wales Professor and founder of the Centre for Advanced Inquiry in the Interactive Arts(CAiiA) in the 1990s. Currently, Ascott is president of the Planetary Collegium, and Professor of Technoetic Arts, University of Plymouth; Honorary Professor, Thames Valley University, London. and a visiting professor at UCLA. He is the editor of Technoetic Arts, and Honorary Editor of Leonardo. He has advised universities and new media centres in Korea, Australia, Brazil, Argentina, Japan, France, Spain, Portugal, Canada, China, Austria, the CEC, UNESCO, and the UK’s Arts Council and AHRC. He convenes the Consciousness Reframed conferences. His books include: Telematic Embrace: Visionary Theories of Art Technology and Consciousness. University of California Press, 2003; Engineering Nature, Intellect, 2006; Technoetic Arts (YI, Won-Kon, Ed.), Yonsei University Press, 2002. Reframing Consciousness, Intellect, 1999; Art & Telematics: toward the Construction of New Aesthetics. (E. Fujihara, Ed.). NTT, Tokyo 1998. He has authored over 150 papers and articles, widely translated in many languages. 로이 애스콧(Roy Ascott)은 1955년부터 1959년까지 순수 미술과 미술사를 공부했다. 오늘날의 예술은 네트워크, 과정, 참여, 상호작용(Interaction)으로 이루어진다고 주장하는 애스콧 교수는, 정교한 멀티미디어 인터페이스를 구축하고, 1989년에 오스트리아 린츠(Linz)에서 열린 ‘Ars Electronica Festival'에서 전시회를 가졌으며, 대표적인 국제 과학예술기구인 플래니터리 콜레지엄(Planetary Collegium)의 창설자이며 회장으로 재직 중이다. 그는 영국 플리머스대학, 테크노에틱 아트학과의 교수임과 동시에 UCLA 디자인/미디어아트 대학의 객원교수이기도 하다. 샌프란시스코 예술대학 부총장및 학장을 역임했고, 비엔나 응용미술대학에서 커뮤니케이션 이론을, 미네아폴리스 예술대학에서 순수미술을 가르쳤으며, 토론토에 있는 온타리오 예술대학의 학장으로 재직하였다. 또한 2001년부터 2004년까지 영국 정부의 예술인문학연구위원회의 예술미디어 위원회 위원으로 활동하였다. 텔레마틱 아트(Telematic Art)의 선구자인 애스콧은 베니스 비엔날레, 엘렉트라 파리, 린츠(Linz)의 Ars Electronica, 네덜란드의 V2, 밀라노 트리엔날레(Triennale), 브라질의 메르코수르비엔날레, 유럽 Media Festival에서 전시회를 가져왔다. 뿐만 아니라 'Distributed Authorship'과 정보매체를 이용한 그의 작품으로 ‘텍스트의 주름: 천체의 요정이야기(La Plissure de Texte: A Planetary Fairytale, 1983)'을 포함한 다수의 독창적인 온라인 프로젝트도 수행해왔다. ‘테크노에틱 아트’의 초대편집장인 그는 ‘레오나르도(Leonardo Journal)'의 명예편집장, 'LEA', '디지털 창의성(Digital Creativity)'의 편집위원이기도 하다 그 밖에도 CEC와 유네스코뿐만 아니라 유럽, 호주, 브라질, 캐나다, 중국, 일본, 한국, 미국의 뉴미디어센터와 축제에 대한 자문을 하고 있다. 대표적 저서로는 Telematic Embrace: Visionary Theories of Art Technology and Consciousness. University of California Press, 2003; Engineering Nature, Intellect, 2006; Technoetic Arts (YI, Won-Kon, Ed.), Yonsei University Press, 2002. Reframing Consciousness, Intellect, 1999; Art & Telematics: toward the Construction of New Aesthetics. (E. Fujihara, Ed.). NTT, Tokyo 1998. 등이 있다. 다개국어로 번역된 150편이상의 논문을 발표하였다.

 

 

Keith Devlin Dr. Keith Devlin is a co-founder and Executive Director of Stanford University's H-STAR institute, a Consulting Professor in the Department of Mathematics, a co-founder of the Stanford Media X research network, and a Senior Researcher at CSLI. He is a World Economic Forum Fellow and a Fellow of the American Association for the Advancement of Science. His current research is focused on the use of different media to teach and communicate mathematics to diverse audiences. He also works on the design of information/reasoning systems for intelligence analysis. Other research interests include: theory of information, models of reasoning, applications of mathematical techniques in the study of communication, and mathematical cognition. He has written 28 books and over 80 published research articles. Recipient of the Pythagoras Prize, the Peano Prize, the Carl Sagan Award, and the Joint Policy Board for Mathematics Communications Award. He is "the Math Guy" on National Public Radio. Keith Devlin 박사는 Stanford 대학 H-STAR 연구소의 공동 설립자이고 소장이며, Stanford 대학수학과 자문교수이고, Stanford Media X 연구 네트워크를 공동 설립했으며, CSLI의 선임 연구원을 역임하고 있다. 그는 세계경제포럼(World Economic Forum)과 미국과학진흥협회(American Association for the Advancement of Science)에서 Fellow이기도 하다. 그는 현재 여러 다른 매체들을 활용해 다양한 사람들에게 수학을 가르치고 전달하는 연구를 중점적으로 진행 중이다. 그의 다른 연구 관심 분야로는 정보이론, 추론모델, 수학적 방법들의 의사소통 연구에의 적용, 수리지각 능력이 있다. 그는 28권의 책을 저작, 80개의 연구 논문을 게재하였고, the Pythagoras Prize, the Peano Prize, the Carl Sagan Award, and the Joint Policy Board for Mathematics Communications Award 를 수상하기도 하였다. 그는 National Public Radio에서 ‘the Math Guy’ 프로그램의 진행도 맡고 있다.

 

 

Alfred Spector Alfred joined Google in November of 2007 and is responsible for the research across Google and also a growing collection of special initiatives, typically projects with high strategic value to the company, but somewhat outside the mainstream of current products. Previously, Alfred was Vice President of Strategy and Technology IBM's Software Business, and prior to that, he was Vice President of Services and Software Research across IBM. He was also founder and CEO of Transarc Corporation, a pioneer in distributed transaction processing and wide area file systems, and was an Associate Professor of Computer Science at Carnegie Mellon University, specializing in highly reliable, highly scalable distributed computing. Alfred received his Ph.D. in Computer Science from Stanford and his A.B. in Applied Mathematics from Harvard. He is a member of the National Academy of Engineering, a Fellow of the IEEE and ACM, and the recipient of the 2001 IEEE Computer Society's Tsutomu Kanai Award for work in scalable architectures and distributed systems. Alfred는 2007년 11월 구글에 합류하여 구글의 전반적인 연구에 관여하고 있으며 특히 현재 흐름과는 다소 동떨어져 있다 하더라도 주요한 가치를 둘만한 프로젝트들의 선도를 맡고 있다. 그는 IBM의 Software Business의 전략 및 기술 분야 Vice President를 역임하였고 그 이전에는 IBM 전반의 Services and Software 연구의 Vice President 였다. 그는 분산형 transaction 프로세싱과 Wide Area File System의 개척을 주도했던 Transarc Corporation의 창설자이자 CEO 이기도 했으며 Highly reliable, Highly scalable 분산 컴퓨팅 분야에서 카네기 멜론 대학의 전산학 부교수를 역임했다. Alfred는 스탠포드에서 전산학 박사를 취득하였고 하버드에서 응용 수학 분야의 A.B. 를 취득하였다. 그는 National Academy of Engineering의 멤버이고 IEEE와 ACM의 일원이며 Scalable architectures와 distributed systems의 연구를 통해 2001년 IEEE Computer Society의 츠토무 칸사이 상을 수상하였다.

 

 

Jeffrey Shaw Jeffrey Shaw has been a leading figure in new media art since its emergence from the performance, expanded cinema and installation paradigms of the 1960s to its present day technology-informed and virtualized forms. In a prolific oeuvre of widely exhibited and critically acclaimed work he has pioneered and set benchmarks for the creative use of digital media technologies in the fields of virtual and augmented reality, immersive visualization environments, navigable cinematic systems and interactive narrative. He was co-founder of the Eventstructure Research Group in Amsterdam (1969-1979), and founding director of the ZKM Institute for Visual Media Karlsruhe (1991-2002). In 2003 he was awarded an Australian Research Council Federation Fellowship and returned to Australia to co-found and direct the iCinema Centre for Interactive Cinema Research at the University of New South Wales in Sydney. At iCinema he led a theoretical, aesthetic and technological research program in immersive interactive post-narrative systems, while continued to produce pioneering artistic works such as T_Visionarium that was shown at the Biennale of Seville in 2008. Recently Shaw has been appointed Dean of the School of Creative Media at City University in Hong Kong, and together with Sarah Kenderdine is co-founding a new media research lab at the Hong Kong Science Park. 제프리 쇼는 1960년대의 공연, 확장된 시네마, 설치작업 패러다임에서부터 현재의 기술에 관련된 가상적인 형식을 망라하는 뉴미디어 아트의 선도적인 인물이다. 여러 곳에서 전시되고 격찬 받은 수많은 작품들을 통해서 그는 가상과 혼합 현실, 몰입 시각화 환경, 조종할 수 있는 시네마 시스템 그리고 상호작용적인 내레이션의 영역에서 그는 디지털 미디어 기술을 창조적으로 활용하기 위한 표준을 개척하였다. 그는 암스테르담의 Eventstructure Research Group의 공동 창립자였고(1969-1979), ZKM Institude for Visual Media Karlsruhe의 공동 디렉터였다(1991-2002). ZKM에서 그는 ArtIntAct와 같은 디지털 작품 시리즈와 세계적인 미디어 아트 전시의 MultiMeduale시리즈, 백 개의 예술가 레지던스 프로젝트, Extended Virtual Environment(1993), PLACE(1995), 그리고 Panoramic Navigator(1997)와 같은 새로운 창의적 플랫폼의 창조를 포함한 독창적인 예술 연구 프로그램을 고안하고 운영하였다. 쇼가 만든 기념비적인 작품으로는 The Legible City(1989), The Virtual Museum(1991), The Golden Calf(1994), Place-A Users Manual(1995), Configuring the CAVE(1997), the Web of Live(2002)등이 있다. 그는 ZKM Karlsruhe에서 독창적인 FUTURE CINEMA전시회를 공동으로 기획했고, 그 전시의 카탈로그는 MIT출판사에 의해서 출판되었다. 1995년에 Shaw는 Staatlichen Hochschule fur Gestaltung, Karlsruhe의 교수로 임명되었다. 2003년에 Australian Research Council Fellowship에 영예를 받았으며, 호주로 돌아가 시드니의 New South Wales대학의 인터액티브 시네마 연구를 위한 iCinema Centre를 지휘했다. 여기서 그는 몰입 인터액티브 탈-서사 시스템에 대한 이론적, 미학적, 기술적 연구 프로그램을 지휘했으며, Cupola, Place-Hampi, AVIE, T-Visionarium과 UnMakeableLove와 같은 선도적 예술 작품을 개척하는 등 지금도 그의 빛나는 경력을 이어나가고 있다. , T-Visionarium 은 2008년 세르비야 비엔날레에 전시되었다. 최근 홍콩 City University Creative Media 대학의 학장으로 임명되었고 사라 켄덜다인과 함께 홍콩 과학공원에 뉴미디어 연구소를 설립중이다.

 

 

Lewis Lancaster Education: B.A. Roanoke College, 1954 (Honorary Doctorate of Letters 2007) M.Th. USC ST 1958 Ph.D. University of Wisconsin, 1968 Academic Experience: Appointments 1967 ? 2000: University of California, Berkeley D.H. Chen Distinguished Professor of Buddhist Studies (1998-2000) 2004-2006: President, University of the West Visiting and Exchange Appointments: 1972 University of Michigan, Ann Arbor 1981 Dartmouth College 1983 Pekin University, Beijing, China 1988 Rissho University, Tokyo, Japan 2007 Korea University, Seoul, Korea Adjunct Faculty: Graduate Theological Union (Berkeley) Institute of Buddhist Studies (Berkeley) University of the West (Los Angeles) Recent Publications: “Wonhyo: A Study of His Compilations,” International Journal of Buddhist Thought and Culture Vol 2 Los Angeles, 2003. “Resources and New Strategies for Central Asian Studies: The Electronic Cultural Atlas Initiative Approach,” with Ruth Mostern, Central Eurasian Studies Review Volume 2, Number 3, Central Eurasian Studies Society (2003). “Buddhism and the Digital Age,” Hsilai Journal of Humanistic Buddhism, International Academy of Buddhist Studies, vol. 4. Los Angeles, 2003. “Prajnaparamita” in ed. The Encyclopedia of Buddhism. 2 volumes. Ed. by Robert Buswell Jr., New York: Macmillan Reference USA, 2003. “Korean Buddhism: The American Experience,” Korean Buddhism Chogye Order of America, Inc., Almanac, The 30th Anniversary of Kwan Um Temple, Los Angeles, March 2004. “Combining Time, Place, and Topic: The Electronic Cultural Atlas Initiative” with Michael Buckland, D-Lib Magazine No. 5, May 2004. “Buddhism and Democracy,” Hsilai Journal of Humanistic Buddhism, International Academy of Buddhism: Los Angeles, vol. 5, 2004. “Buddhism and Culture,” Hsi Lai Journal of Humanistic Buddhism, International Academy of Buddhism: Los Angeles, Volume 6. 2005. “Virtual Reality Within the Humanities” The Reconstruction of Archaeological Landscapes through Digital Technologies edited by Maurizio Forte BAR International Series 1379: London 2005. “Buddhist Education and New Technology” Proceedings of the First World Buddhist Forum, Hangzhou, 2006. “Korean Religious Society” The Oxford Handbook of Global Religions, edited by Mark Juergensmeyer, Oxford University Press, 2006 “Advances in Discovery: The Electronic Cultural Atlas Initiative Experience.” With Michael Buckland. First Monday. 21 July 2006. “Referencing Digital Heritage: Who, When, What, Where” Proceedings of the 3rd Asian Digital Exchange Forum Korea Information Society Development Institute: Seoul. 2006. “Cultural Exchange: The Electronic Cultural Atlas Initiative” Proceedings of the 2nd International Conference on Southeast Asian Cultural Values. Royal Academy of Cambodia: Siem Reap. 2006 “Buddhism and Technology” “Digital Research Tools” “Cyber Buddhism” “Electronic Publications” “Computers and Buddhist Cultural Heritage” Articles in Encyclopedia of Buddhism edited by Damien Keown and Charles S. Prebish (Routledge:London and New York), 2007. “Bodhisattvas and Celibacy: Buddhism among Kings and Merchants” Proceedings for a Conference of the 50th anniversary of the Founding of the Institute of Korean Culture?Celibacy and Enlightenment/Salvation . Korea University: Seoul. 2007. “The First Koryo Printed Version of the Buddhist Canon: Its Place in Contemporary Research.” Nanzen-ji Collection of Buddhist Scriptures and the History of the Tripitake Tradition in East Asia. Tripitaka Koreana Institute: Seoul. 2007. “Catalogues in the Electronic Era: CBETA and The Korean Buddhist Canon: A Descriptive Catalogue.” CBETA: Taipei, 2008 (electronic publication). “Buddhism and the New Technology: An Overview” Buddhism in the Digital Age: Electronic Cultural Atlas Initiative edited by Le Manh That and Thich Nhattu. Vietnam Buddhist University: Ho Chi Minh. 2008 “The Dosan Digital Library and the Electronic Cultural Atlas Initiative” Dosan: Bridging the Pacific Dosan Foundation: Seoul. 2008 “Digital Buddhist Texts and Buddhist Universities” Journal of International Association of Buddhist Universities, Bangkok, Vol 2, September, 2008. “Buddhist Canons: Embodiment of Cultural and National Identity” Proceedings for 2009 Berkeley-KU Forum on East Asian Cultural Studies. Seoul: 2009. Television Buddhism one-hour documentary in the PBS Series “Religions of the World” Edited by S. Kopel. Narrator: Ben Kingsley, 1998. (Helped with conception, editing, writing of script and appear for 15 minute segment) Buddhism in the Global Age of Technology “Burke Lecture, University of California, San Diego) C-SPAN, 2008.

 

 

William Seaman An internationally known media artist and scholar, Seaman has had over thirty major installation works and commissions around the world, a dozen solo exhibitions, and numerous performance collaborations, video screenings, and articles/essays/reviews in books and catalogues. His work explores an expanded media-oriented poetics through various technological means. A self-taught composer and musician, he also collaborates with dancers and choreographers to create evocative multimedia performance pieces. He has been commissioned on a number of occasions. He is currently working on a series of art/science collaborations -- poetic installations, scientific / conceptual art research papers and a book in collaboration with the scientist Otto Rossler surrounding the concept of Neosentience as well as the production of an Electrochemical Computer. He is also collaborating with artist/computer scientist Daniel Howe on works exploring AI and creative writing/multi-media - "the Bisociation Engine" and "A China of Many Senses"[working title] (both in progress); neural scientist and artist Timothy Senior on the development of a biologically inspired "Thought Module" (a novel approach to neural nets); computer scientist and experimental writer Patrick Harron on a transdisciplinary relational database / search engine project ; Thom LaBean on nano-scale computational/sensing research; and with Gideon May and Rachel Brady on re-articulating "The World Generator / The Engine of Desire" a virtual world building system. 국제적으로 알려진 미디어 예술가인 동시에 학자인 Seaman은 30여개의 주요 설치미술(installation works)과 의뢰, 12개의 단독 전시회, 그리고 다수의 합작공연, 비디오 촬영, 그리고 책과 카탈로그에서 기사/수필/논평을 했었다. 그의 연구는 다양한 기술적 방법을 통한 확장된 미디어지향적 시론에 관한 것이다. 게다가 독학으로 공부한 작곡가이자 음악가인 그는 즐거운 추억을 회상시키는 멀티미디어 공연 작품들을 제작하기 위해 무용가, 안무가와 공동으로 연구를 진행하고 있고, 많은 행사들을 위탁받았다. 그는 현재 일련의 예술/과학에 관련된 공동연구 - poetic installations, 과학적/개념적 예술 연구 논문 그리고 과학자 Otto Rossler와 함께 Electrochemical Computer의 제작과 Neosentience의 개념에 관해 공동집필 중인 책 - 에 매진하고 있는 중이다. 게다가 그는 예술가이자 컴퓨터 과학자 Daniel Howe와 함께 AI와 창조적인 writing/multi-media 를 탐구하는 일을 공동으로 작업하고 있다. "the Bisociation Engine" and "A China of Many Senses"[working title] (both in progress); neural scientist and artist Timothy Senior on the development of a biologically inspired "Thought Module" (a novel approach to neural nets); computer scientist and experimental writer Patrick Harron on a transdisciplinary relational database / search engine project ; Thom LaBean on nano-scale computational/sensing research; and with Gideon May and Rachel Brady on re-articulating "The World Generator / The Engine of Desire" a virtual world building system. Contact Info: Office Location: 114 B East Duke Building Office Phone: 684-2499 Email Address: bill.seaman@duke.edu Web Page: http://www.billseaman.com

 

 

Mario Tokoro He was Professor of Computer Science at Keio University and moved to Sony Corporation in 1997 to assume Corporate SVP, and then Co-CTO. Back in 1988 when he was Associate Professor, he founded Sony Computer Science Laboratories, Inc. and has led it to become a world renowned research laboratory (http://www.sonycsl.co.jp/). Based on his experiences in research, development and management both in academia and industry, he recently advocated the necessity of new scientific methodology that goes beyond reductionism for understanding principles and solves real problems such as sustainability of the Earth, life and health. For that purpose, he proposed Open Systems Science. He authored many technical literatures in International Journals and Conferences on Computer Science, Engineering, and Networking. He authored/edited a few books including Concurrent Object-Oriented Computing (MIT Press 1987), Introduction to Computing Systems (Iwanami Publishing Co. 1988, in Japanese), The Future of Learning (IOS Press 2003), Learning Zone of One's Own (IOS Press 2004), Creativity and the Brain (World Scientific 2007), and Open Systems Science (NTT Publishing 2009 in Japanese, English version in preparation). Mario Tokoro박사는 게이오 대학교 컴퓨터 과학과 교수로 재직 중인 1997년에 Sony Corporation의 선임 부사장으로 회사에 입사해, 곧 공동 최고기술책임자가 되었다. Sony 컴퓨터과학 연구소(http://www.sonycsl.co.jp/)는 1988년에 그가 부교수였을 때 설립했으며, 현재는 세계적으로 명성이 있는 연구소로 발돋움했다. 학계와 산업계를 거치면서 연구, 개발, 관리를 두루 경험한 그는 최근에 지구의 지속성, 생명, 건강 같은 실제적인 문제를 풀기 위해 원리의 이해를 주장하는 환원주의를 넘어서는 새로운 과학적 방법론 필요성을 호소했다. 이를 위해, 그는 개방시스템과학(Open Systems Science)를 제안했다. 그는 컴퓨터 과학, 공학, 네트워킹 관련 국제 저널과 학회 많은 기술 논문들을 게재했다. 그는 Concurrent Object-Oriented Computing (MIT Press 1987), Introduction to Computing Systems (Iwanami Publishing Co. 1988, in Japanese), The Future of Learning (IOS Press 2003), Learning Zone of One's Own (IOS Press 2004), Creativity and the Brain (World Scientific 2007), Open Systems Science (NTT Publishing 2009 in Japanese, English version in preparation) 을 포함한 많은 책들을 저작/편집했다.

 

Don Norman Don Norman is a leader in the application of human-centered design. “All design,” says Norman, “whether of a product, a company, a service or an experience is ultimately aimed at satisfying human and societal needs.” This approach requires the application of knowledge of cognitive science, engineering, and business with the skills and knowledge of the design field, helping companies produce products and services that satisfy human and societal needs, both practical and emotional. Norman is the Breed professor of Design at Northwestern University where he co-directs MMM, the dual-degree MBA and Engineering program offered jointly by Northwestern’s schools of Management and Engineering that focuses on managing products and services from design to execution. He is also co-director of the Segal Design Institute and Distinguished Visiting Professor at KAIST, the Korea Advanced Institute of Science and Technology, in the Department of Industrial Design. As a consultant to industry, Dr. Norman brings a unique mix of the social sciences and engineering to bear on everyday products. He is cofounder of the Nielsen Norman Group, an executive consulting firm that helps companies produce human-centered products and services. He has been Vice President of the Advanced Technology Group, Apple Computer and an executive at Hewlett Packard. He was President of the Learning Systems division of UNext, a distance education company. He is a fellow of numerous scientific societies. He serves on many advisory boards, such as the editorial advisory board of Encyclopedia Britannica and the Department of Industrial Design at the Korea Advanced Institute of Science and Technology (KAIST). He is a fellow of many organizations, including the American Academy of Arts and Sciences. He has received the Benjamin Franklin Medal in Computer & Cognitive Science from the Franklin Institute (Philadelphia), honorary degrees from the University of Padova (Italy) and the Technical University of Delft (the Netherlands), the “Lifetime Achievement Award” from SIGCHI, the professional organization for Computer-Human Interaction, the Mental Health award for contributions to Business from Psychology Today, and the Taylor Award for outstanding contribution to the field of Applied Experimental and Engineering Psychology from the American Psychological Association. He is well known for his books “The Design of Everyday Things” and “Emotional Design.” Business Week called The Invisible Computer “the bible of the “post PC thinking.” His newest book, “The Design of Future Things,” discusses the role that automation plays in such everyday places as the home, and automobile. He is currently working on a new book called Sociable Design that combines the lessons of his previous works, extending them to cover social networks and social interaction. He lives at www.jnd.org. 돈 노먼은 인간 중심의 실용 디자인 분야의 선구자이다. 그는 제품이든, 회사든, 서비스 혹은 경험이든지 간에 모든 디자인의 궁극적인 목표는 인간과 사회의 욕구를 충족시키는 것이라고 말한다. 이런 접근방법은 기업으로 하여금 실용적이고 감정적 측면에서 인간과 사회의 욕구를 모두 충족시키는 제품과 서비스를 창출 할 수 있도록 돕는 디자인 분야의 기술, 지식과 함께 인지 과학, 공학, 그리고 비지니스적 지식의 응용을 요구한다. 노먼은 노스웨스턴대학교 컴퓨터 공학과 교수로 노스웨스턴대의 경영 및 공과대학과 연계하여 계획부터 실행단계까지 제품과 서비스 관리를 중점적으로 다루는MBA와 공학의 복수학위 프로그램을 공동 지도하고 있다. 그는 또한 Segal 디자인 연구소의 공동소장이며 KAIST의 산업디자인학부 특훈 초빙 교수이다. 산업 분야의 컨설턴트로서 그는 일상적 소비제의 생산에 기여하는 사회 과학과 공학의 독특한 융합에 힘쓰고 있다. 그는 인간중심 제품과 서비스 생산을 지원하는 경영 컨설팅 회사인 닐슨노먼 그룹의 공동창설자로 Apple Computer사의Advanced Technology 그룹의 부사장, Hewlett Packard 의 이사를 지냈고 원격교육업체인 UNext 학습시스템부문의 회장이었다. 또한 수많은 과학 학술단체의 Fellow 이다. 그는 브리태니커 백과사전의 편집자문위원회와 KAIST의 산업디자인학부 자문 위원 등 많은 자문위원회의 일원이다. 또한 미국 예술 과학 아카데미와 같은 여러 기관의 회원이다. 그는 필라델피아에 위치한 프랭클린 연구소에서 컴퓨터와 인지과학 분야로 벤자민 프랭클린 메달을 받았으며, 이탈리아의 파도바 대학과 네덜란드의 델프트 기술 대학에서 명예 학위를, 컴퓨터와 인간 사이의 상호작용에 대한 전문 기관인 SIGCHI로부터 평생공로상을, Psychology Today로부터 비즈니스에 대한 공로로 멘탈헬스상을, 미국심리학회로부터 응용실험분야와 공학심리학 분야에 대한 우수한 공로로 테일러상을 받았다. 그는 저서 The Design of Everyday Things와 Emotional Design으로 유명하며 비지니스위크지는 The Invisible Computer 를 차세대 컴퓨터 개념 관련 필독서로 꼽았다. 그의 최근 저서인 The Design of Future Things는 집이나 자동차와 같은 일상생활공간에서의 자동화 역할에 대해 논하고 있다. 그는 현재 사회 네트워크와 사회 상호작용에 대한 연구를 계속하며 그의 과거활동에서 얻은 교훈을 토대로Sociable Design이라고 불리는 새로운 저서를 집필 중이다. 웹사이트는 www.jnd.org이다.

 

 

Mattew Wang Dr. Wang is Vice President of China Development Laboratories (CDL). In addition to, the responsibility as the head of North Asia Pacific development lab cluster which includes China, Japan, Korea, Singapore, Malaysia, Vietnam, he leads over 5000 software engineers and architects in Beijing, Shanghai, and Taipei, building IBM middleware products (WebSphere, Lotus, Information Management, Tivoli and Rational) and providing leading edge industry solutions to enable customer success. In his previous role, Dr. Wang was Vice President of Technical Sales and Services, IBM Software Group Asia Pacific, leading a team over 2000 IT Specialists and Architects to provide technical solutions based on IBM middleware products. Before he came to Asia Pacific, Dr. Wang was a Director of Silicon Valley Lab where he led High Performance On-Demand Solutions (HiPODS) organization. Dr. Wang has a broad experience inside IBM. Before he joined Software Group, he was in IBM Research as Executive Assistant to Senior Vice President of Research Worldwide. He was responsible for Technical Team studies on several strategic corporate directions and led an Innovation Frontiers task force for National Innovation Initiative sponsored by the U.S. President. His other contributions are in the areas of On-Demand Innovation Services, Global Technology Outlook, and Emerging Business Opportunities for IBM and Global IT industry. Before that, Dr. Wang was a Certified Senior Project Executive in IBM Global Services managing multi-billion dollar accounts in Process Petroleum, Automotive, and Electronic Industries. Before that, he was Chief Architect in charge of Global Supply Chain for IBM Personal System Group. Dr. Wang holds a Ph.D. in Computer Science from Vanderbilt University and an MBA from George Washington. Dr. Wang은 China Development Laboratories (CDL)의 부사장이며, 중국, 일본, 한국, 싱가포르, 말레이시아, 베트남 등을 포함한 North Asia Pacific development lab cluster의 헤드를 맡으며, 베이징, 샹하이, 타이페이의 5000명 이상의 소프트웨어 엔지니어들과 설계자들 주도하여 IBM 미들웨어 상품들을 개발과 구매자 악세스를 가능하게 하는 엣지 산업을 제공하고 있다. 예 전에는, 2000명이 넘는 IT 전문가들과 설계자로 구성된 팀을 이끄는 IBM Software Group의 Technical Sales and Services의 부사장을 역임하기도 했었다. 아시아 퍼시픽으로 오기 전에는, 실리콘 벨리의 High Performance On-Demand Solutions organization의 디렉터이기도 했다. 그는 또한 IBM안에서 다양한 경험 또한 가지고 있다. 소프트웨어 그룹에 참여하기 전에는, IBM Research에서 Research WorldWide의 Senior Vice President의 Executive Assistant로서 있었고, 전략적 대응을 위한 테크니컬 팀 스터디를 맡기도 했었다. 미국 대통령으로부터의 지원을 받은 National Innovation Initiative의 Innovation Frontiers일을 주도하였다. IBM and Global IT industry를 위한 On-Demand Innovation Services, Global Technology Outlook, Emerging Business Opportunities에도 공헌을 했다. 그 전에는, Process Petroleum, Automotive, and Electronic Industries에서 수억만 달러의 회계를 관리하는 IBM Global Services의 공인된 Senior Project Executive 이었다. 그 전에는, IBM Personal System Group의 Global Supply Chain을 책임지는 주 설계자로 있었다. Dr. Wang은 Vanderbilt 대학의 computer science에서 박사 학위를, George Washington에서 MBA를 받았다.

 

 

Yoichiro Kawaguchi He has been working on Computer Graphic since 1975 and has been recognised as a pioneer and a world - wide authority of CG. His recent projects include creation of artistic and organic robot for planet / deep ocean exploration which inspired by primitive beings, and 8K, Ultra HDTV, project. Ultra HDTV made it possible to show small object which is not able to by usual display. Both projects attract many attentions. One of other his interest is “Gemotion”, (coined word by Gene, Growth + emotion). “Gemotion” is a series of project which aims to create an emotional world where humans and CG imagery react in real time. The art of reaction - the world creative by affective performing arts based on the affective interaction of a dancer and a performing stage attract audience. He often collaborates interdisciplinary including this “Gemotion” performance/dance. And He was given a lot of the awards in various fields such as science and art. Selected Exhibitions / Shows 1986 “Colour”, Special Exhibition, 42 nd Venice Biennale, Venice, Italy 1991 “Art on edge”, Sezon Museum of Modern Art, Nagano, Japan 1995 Representative artist of Japanese Pavilion, 46 th Venice Biennale, Venice, Italy 1998 “Yoichiro Kawaguchi”, Feature Exhibition, Ginza Graphic Gallery, Tokyo, Japan 2002 “The CG Art of YOICHIRO KAWAGUCHI - Growing and Developing Cyberspace”, Feature Exhibition, Tsukuba Museums of Art, Ibaraki, Japan 2003 “Interactive CG Art of Yoichiro Kawaguchi Origin of the Universe”, Kirishima Open-Air Museum, Kagoshima, Japan 2005 “The Exhibition of Yoichiro Kawaguchi - The World of Growth and Gemotion”, Canon Salon, Tokyo, Japan 2007 Special collaboration with Kansai Yamamoto, “Kansai Super Show?Taiyo no Fune (the sun vessel)”, Tokyo Dome, Tokyo, Japan 2008 Special collaboration with Tomoyasu Hotei, “Tomoyasu Hotei Special Live-Fly into Your Dream”, Todai-ji temple, Nara, Japan 2009 “Phenotypic Science - Artistic Science and Engineering”, Yushima Temple, Tokyo, Japan 요이치로 가와구치는 일본 다네가시마 섬에서 태어나고 자랐다. 1975년부터 컴퓨터 그래픽 작업을 해왔으며 이 분야의 개척자이자 세계적인 권위자로 1998년부터는 도쿄대학의 교수로 재직 중이다. 최근 프로젝트에는 원시 생물과 8K급 초고해상도 TV(Ultra HDTV) 계획사업을 발판으로 행성과 해저 탐사를 위한 정교하고 유기적인 로봇 제작이 포함되어 있다. 초고해상도 TV는 일반화면으로는 볼 수 없는 미세한 물체까지도 보여준다. 두 프로젝트 모두 많은 주목을 받고 있다. 그의 또 다른 관심분야는 Gemotion(Gene, Growth 와 emotion이 합쳐진 신조어)이다. Gemotion은 인간과 컴퓨터그래픽영상이 실시간으로 반응하는 정감적 세계 창조를 목표로 한 연속프로젝트이다. 반응예술-댄서와 공연무대의 정서적 상호작용을 도태로 한 감성적인 무대예술에 의한 독창적 세계가 관객을 끌고 있다. 그는 Gemotion 을 포함하여 공연과 댄스 분야에 걸쳐 공동연구를 진행하고 있으며 과학과 예술 과 같은 다양한 분야에서 많은 상을 수상하였다. 주요 전시회/출품작 1986 “Colour” 특별전시회, 42회 베니스비엔날레 ,이탈리아 베니스 1991 “Art on edge”, Sezon 현대예술박물관, 일본 나고야 1995 일본관의 대표 작가, 46 회 베니스비엔날레, 이탈리아 베니스 1998 “Yoichiro Kawaguchi”, Feature Exhibition, Ginza 그래픽갤러리, 일본 도쿄 2002 “요이치로 가와구치의 컴퓨터그래픽아트? Growing and Developing Cyberspace”, Feature Exhibition, Tsukuba Museums of Art, 일본 이바라키 2003 “Interactive CG Art of Yoichiro Kawaguchi Origin of the Universe”, Kirishima Open-Air Museum, 일본 가고시마 2005 “요이치로 가와구치 전시회?- The World of Growth and Gemotion”, Canon Salon, 일본 도쿄 2007 간세이 야마모토와의 특별 합작 “Kansai Super Show?Taiyo no Fune (the sun vessel)”, 도쿄돔, 일본 도쿄 2008 도모야스 호테이와의 특별 합작 “Tomoyasu Hotei Special Live-Fly into Your Dream”, 도다이지 사원, 일본 나라 2009 “Phenotypic Science - Artistic Science and Engineering”, 유시마 사원, 일본 도쿄

 

 

Kansai Yamamoto Born in 1944. As the first Japanese fashion designer to hold a collection show in London, his '71 London debut brought him an international spotlight and a long friendship with top artists like David Bowie, Sir Elton John and Stevie Wonder. Kansai's unique avant-garde fashion design won an overwhelming popularity among trend sensitive young population throughout the world. After participating in '74 Paris Collection and '70 NY Collection, Kansai launched "Boutique Kansai" in major cities around the world including Paris, Milan, NY, Madrid, founding himself as an international fashion designer. At the same time, Kansai constantly pushed the horizon of conventional notion of fashion shows; unusual cast, bold and large scale stage sets…always in pursuit of expressing the wonderful strength of human energy. Kansai chose to step beyond the framework of fashion designer, to challenge the world audience in the field of live event producing. His recent accomplishments include "KANSAI SUPERSHOW - HELLO! RUSSIA ", held in Moscow's Red Square in '93 drawing a crowd of 120,000, succeeding to be the largest scale event in the Red Square since the end of the WW2. In '95, Kansai's supershow, "Hello! VIETNAM" staged over Lake Bai Mau in Hanoi City's Lenin Park, drew in an astonishing 200,000 crowd. In '97, "HELLO! INDIA" drew in 50,000 crowds, was satellite broadcast to 54 nations from Nehru Stadium, New Delhi. All these shows had a common theme of "PEOPLE-the wonderful creature", aiming at a heart - to - heart exchange of nations and people. The shows won an overwhelming support of the audience as the largest class events in each nation and an important contribution to international communication. At home in Japan, Kansai has continued on to produce successful supershows starting with "HELLO! JAPAN" in year 2000 mobilizing one thousand volunteers at Nagara River Stadium in Gifu Prefecture. Executive produced the opening event for the 2001 "Internet Expo". For the Yamaguchi Kilala Expo ( Yamaguchi Prefecture 21th Century Future Expo2001), he produced " Yamaguchi GENKI Legend" which was staged at its main venue and drew in 680,000 audience over 79 days, introducing a new form of live event in expos. The opening live event for "11th World Congress on ITS - Nagoya, Aichi 2004" has recently ended in raving success, leading now to the opening event for "EXPO2005 AICHI JAPAN" in March 2005. The Supershow, "Abordage" was staged in July 2004 at Tokyo's prestigious Nippon Budokan, The spectacle show overlaps Kansai's own life with the unyielding spirit of Hijikata, the vice captain of Shinsengumi troop, the special forces to the last Shogun. The documentary film "Abordage," marking the path to the realization of the supershow was screened at the 55th Berlin International Film Festival in February 2005 as its special program, together with a live event produced by Kansai. The film is now being shown throughout Japan together with his live talk show, titled, "Abordage! Japan Tour." He produced the cheering event entitled "Katsuzo (We Will Win!)" on May 13th, 2006, for Japan national football team going to Germany to compete in FIFA World Cup. The event ignited the excitement of the supporters gathering in the stadium. On January 13th and 14th, 2007, he directed "Kansai Super Show- Taiyo no Fune (the sun vessel)" in Tokyo Dome, which drew an audience of 42000 and won applause as an unprecedented successful event. In July, 2008, "Festival of life" was held as the main event of the Japan Week in Zaragoza International Expo. Most recently, "Atsuki Kokoro - Passionate Heart ~ Kansai Genki-Ism ~" which was held in Edo Tokyo Museum in 2008 is being held from Jan. 10th 2009 in Otsuka Museum of Art in Tokushima. On May 23th, 200９, "FESTIVAL OF LIFE" was held in the Indonesian island of Bali. He continues to be involved in various activities in a variety of fields. He is a general producer of place and social event for G8 Toyako Hokkaido Summit, and also he is on the Art and Culture Council of Tokyo, Advisor of Tokyo 2016 Bid Committee and visiting professor at Kokushikan University and Tokyo Metropolitan University. Awarded "Fashion Editors Club Award" Founding board member of "Tokyo Fashion Designer Committee" Awarded "Jury's Special Award-The 7th Japan Event Award" Overseas Advisor to "Russia International Human Aid Foundation" Awarded "International Award - The 7th Tokyo Creation Award" Awarded "International Cultural Award-The 21st Native Wardrobe Culture Distinguished Services" 1944년 출생. 그는 런던에서 collection show를 개최한 일본인 최초의 패션 디자이너였으며, 1971년 개최된 바로 그 collection show에서의 데뷰로 인해 그는 국제적인 주목을 받게 되었고 또 David Bowie, Sir Elton John, Stevie Wonder와 같은 세계 최고의 아티스트들과 관계를 맺게 되었다. Kansai의 독특한 아방가르드 패션 디자인은 전 세계의 유행에 민감한 젊은 사람들로부터 커다란 각광을 받았다. 74년 Paris Collection과 70년 NY Collection에 참석한 이후 Kansai는 "Boutique Kansai" 를 Paris, Milan, NY, Madrid와 같은 세계 주요 도시들에 열게 되었고 이는 그를 세계적인 패션 디자이너로서의 자리를 확실하게 하는 계기가 되었다. 동시에 Kansai는 새로운 캐스팅, 대담하고 커다란 스테이지 등 언제나 사람 본연의 놀라운 힘을 상징하는 표현을 사용하며 상투적인 fashion show의 모습을 꾸준히 바꾸어 나갔다. 그는 패션 디자이너로서의 틀을 넘어서서 살아 있는 이벤트를 세계의 관중들에게 선보이는 도전을 해나갔다. 그의 최근 업적에는 93년에 열려 12만명의 관중을 불러들여서 제2차 세계대전 이후 모스크바의 붉은 광장에서 열린 가장 커다란 규모의 이벤트로 기록된 "KANSAI SUPERSHOW - HELLO! RUSSIA"와 95년 20만이라는 놀라운 숫자의 관중이 참석한 Hanoi 시 Lenin 광장의 Bai Mau 호수에서 열린 Kansai의 Supershow "Hello! VIETNAM" 이 있으며 97년 New Delhi의 Nehru 스타디움에서 열린 "HELLO! INDIA"는 5만의 관중이 참석하고 전 세계 54개국에 위성으로 방송 되었다. 이 모든 쇼에서는 "인간 - 놀라운 창조물" 이라는 공통된 테마를 사용하였고 이는 모든 나라와 사람들 사이에서 가슴에서 가슴으로의 소통을 의도한 것이었으며 각 나라에서 가장 큰 규모의 이벤트를 성공적으로 개최 함으로서 국제적인 교류에 큰 공헌을 하였다. 고향인 일본에서 그는 2001년 "Internet Expo"의 오프닝 이벤트로서 Gifu현의 Nagara 강 스타디움에서 천명의 자원 봉사자들이 참가한 2000년 "HELLO! JAPAN" 을 시작으로 계속해서 super show들을 열고 있다. 21세기 Future Expo로 열린 Yamaguchi Kilala 엑스포에서는 79일동안 68만명의 관중이 참석한 "Yamaguchi GENKI Legend"을 통해 expo에서의 새로운 형태의 라이브 이벤트를 선보였다. 2004년 아이치현 나고야에서 열린 "11th World Congress on ITS" 의 오프닝 라이브 이벤트는 대단한 성공을 거두었으며 2005년 3월 "EXPO2005 AICHI JAPAN" 의 오프닝 이벤트를 맡았다. 도쿄의 유명한 스테이지인 무도관에서 2004년 7월에 열린 슈퍼쇼 "Abordage"는 마지막 쇼군의 신선조 부대장 히지카타의 굽히지 않는 정신과 자신의 삶을 오버랩한 스펙터클한 쇼였다. 쇼를 위해 제작된 다큐멘터리 필름 "Abordage"는 2005년 2월 55회 국제 베를린 영화제서 스페셜 프로그램으로 칸사이가 프로듀스한 라이브 이벤트와 함께 상영되었다. 영상은 현재 "Abordage! Japan Tour" 라는 타이틀로 그의 라이브 토크 쇼와 함께 일본 전역에 방송되고 있다. 그는 2006년 5월 13일 일본 국가 대표팀의 FIFA 월드컵 독일 원정 경기를 위해서 응원 이벤트 "Katsuzo(이길거야!)"를 프로듀스 했다. 이벤트는 스타디움에 모인 서포터들을 격동시켰다. 2007년의 1월 13일과 14일에는 도쿄돔에서 "Kansai Super Show - Tiayo no Fune(태양의 배)"를 개최하여 42000명의 관객이 참여하였고 전례없는 성공적인 이벤트로서 큰 성원을 받았다. 가장 최근에는 2008년 4월 에도 도쿄 박물관에서 국제 무대에서 열정적으로 작품을 발표했던 칸사이의 작품들을 "Atsuki Kokoro - 뜨거운 마음 ~ Kansai Genki-Ism ~" 라는 타이틀로 전시하였다. 2008년 8월에는 Zaragoza 국제 엑스포의 일본주간 메인 이벤트로서 "Festival of life" 가 개최될 예정이다. 그는 여전히 다양한 분야에서 다양한 활동을 계속하고 있으며 Art and Culture Council of Tokyo에 속해있고 Waseda, Kokushikan, Tokyo Metropolitan University의 초빙 교수에 재직중이다.

 

 

Katsumasa Enami Dr. Enami graduated from the Tokyo Institute of Technology, and joined NHK in 1971. From 1974, he worked for NHK Science and Technical Research Laboratories. He has been engaged in research on video signal processing, parallel computing, and content production technology. He was appointed Director-General of NHK Science and Technical Research Laboratories in 2004. He is now working for National Institute of Information and Communications Technologies (NICT). At NICT, he is conducting his research project on ultra realistic communication system including 3D-TV. He is also Director-General of Keihanna Research Laboratories of NICT located in Kyoto. Dr. Enami is Engineering Chairman of Planning and Promotion Committee of Ultra-Realistic Communications Forum IEEE Fellow, Vice-president of Virtual Reality Society of Japan, Former Vice-president of ITE (The Institute of Image Information and Television Engineers) Dr. Enami 는 1971년 Tokyo Institute of Technology를 졸업하고 NHK에 입사하였다. 1974년부터는 NHK Science and Technical Research Laboratories에서 일을 하면서 비디오 신호 처리, 병렬 컴퓨팅, 그리고 컨텐츠 제작 기술에 관련된 연구를 해오다2004년에는 NHK Science and Technical Research Laboratories의 총장으로 역임하였다. 그는 현재 National Institute of Information and Communications Technologies (NICT) 에서 3D-TV와 같은 초임장감통신 시스템에 관한 연구 프로젝트를 수행하고 있다. 또한 그는 쿄토에 위치한 NICT의 Keihanna Research Laboratories의 총장을 역임하고 있다.

 

 

Jeanie Han Dr. Jeanie Han is a Senior Vice President at Paramount Pictures’ Motion Picture Group. Covering the continental North America, she is directly involved with all aspects of releasing Paramount motion pictures, as well as both DreamWorks and DreamWorks Animation films. Dr. Han is a major proponent of introducing and developing Asian films worldwide with a keen sense of their overall potential and commercial value in the American and international markets. She is also involved in digital cinema and digital convergence. Prior to Paramount, Dr. Han worked in the areas of marketing and distribution of DreamWorks Pictures’ such notable releases as Shrek 2, Catch me If You Can, Collateral, and The Ring. Before joining DreamWorks, she worked as a management consultant at KPMG Consulting where she was instrumental in forming its entertainment consulting practices. Her clients included DreamWorks, Tribune, and Warner Bros. Dr. Han is active in teaching Entertainment Marketing at major business schools within the United States. She is a strong advocate of the greater application of scientific approach in entertainment by studying the effects of movie diffusion, celebrity branding, and movie consumption behavior. One of her research papers on celebrity branding is soon to be published in a top U.S. marketing journal. Education: PhD, Business Administration, University of Southern California Jeanie Han 박사는 Paramount Pictures의 Motion Picture Group에서 수석 부사장으로 재직 중이다. 그녀는 북미 지역을 담당하고 있는데, DreamWorks, DreamWorks Animation, Paramount 사의 영화 개봉과 관련된 모든 부분에 직접 관여하고 있을 뿐 아니라 CJ Entertainment 사의 블록버스터 영화 ‘태풍’을 포함한 아시아 영화들의 수입과 배포에도 관여하고 있다. 아시아 영화의 잠재력과 상업적 가치에 대해 확고한 믿음과 신념을 가진 Jeanie Han 박사는 아시아 영화 산업의 발전과 미국을 포함한 세계시장에 아시아 영화를 소개하는 데 있어서 열렬한 지지를 보내며 중요한 역할을 하고 있다. 그녀는 Paramount사 재직 전 DreamWorks Pictures 사에서는 흥행작 Shrek 2, Catch me If You Can, Collateral, The Ring 을 마케팅하고 배포하는데 있어서 매우 중요한 역할들을 맡았다. DreamWorks 사 재직 전에는 KPMG Consulting 에서 경영 컨설턴트로 일했는데, 그곳에서는 KPMG Consulting이 엔터테인먼트 컨설팅 사업을 시작하는 데에도 공헌하였다. KPMG Consulting에서 일하면서 그녀는 DreamWorks, Tribune, Warner Bros 등을 담당하였다. Jeanie Han 박사는 미국 내 소재한 주요 경영 대학교에서 Entertainment Marketing도 가르치고 있다. 그녀는 Southern California 대학의 Marshall 경영 대학원에서 경영학 박사를 받았고, 브랜딩, 영화 소비 양식이 영화흥행에 미치는 영향의 연구를 엔터테인먼트 산업에 적용해서 조금 더 과학적인 접근을 하는 방법에 열렬한 지지를 보내고 있다.

 

 

Peter Weibel Studies of literature, medicine, logics, philosophy and film in Paris and Vienna. Doctoral thesis on mathematical logic (modal logic). Polyartist, art- and media theoretician, exhibition curator 1976 - 1981 Lecturer for "Theory of Form" and 1981 - 1984 Visiting professor for Design and Art education at the Hochschule fur Angewandte Kunst in Vienna 1981 Visiting professor at the College of Art and Design, Halifax, Canada 1979/80 Visiting professor for "Media art" and 1981 lecturer for "Perception theory" and 1982 - 1985 Professor for photography at the Gesamthochschule Kassel 1984 - 1989 Associate Professor for Video and Digital Arts, Center for Media Study, State University of New York at Buffalo 1989 - 1994 Director of the Institut f?r Neue Medien at the Staedelschule in Frankfurt/M. since 1984 Professor for Visual Media Art at the University of Applied Arts Vienna 1986 - 1995 Artistic advisor and since 1992 artistic director of the Ars Electronica in Linz / Austria. 1993 - 1998 Chief curator of the Neue Galerie am Landesmuseum Joanneum in Graz / Austria 1993 - 1999 Austrian commissioner of the Biennale di Venezia 1997 Awarded with the "Siemens Medienkunstpreis" since 1999 Chairman and CEO of the ZKM/Center for Art and Media Karlsruhe / Germany 2004 Awarded with the "Kathe Kollwitz Preis" 2007 Awarded Honorary Doctorate by the University of Art and Design Helsinki 2008 Artistic Director of the Biennial of Sevilla, Biacs3 2008 Awarded with the French Order " Officier dans l'Ordre des Arts et des Lettres" (Order of Arts and Literature) 2009 Awarded with the "Friedlieb Ferdinand Runge-Preis fuer unkonventionelle Kunstvermittlung" of Stiftung Preussische Seehandlung 2009 Awarded with the "Verdienstmedaille des Landes Baden-Wuerttemberg" 2009 Appointed as full member of the Bavarian Academy of Fine Arts Munich 2009 - 2012 Visiting Professor at the University of New South Wales, Sydney, Australia

 

 

J.K. Aggarwal J. K. Aggarwal is on the faculty of The University of Texas at Austin College of Engineering and is currently a Cullen Professor of Electrical and Computer Engineering and Director of the Computer and Vision Research Center. His research interests include computer vision, pattern recognition and image processing focusing on human motion. A Fellow of IEEE (1976), IAPR (1998) and AAAS (2005), he received the Senior Research Award of the American Society of Engineering Education in 1992, the 1996 Technical Achievement Award of the IEEE Computer Society and the graduate teaching award at The University of Texas at Austin in 1992. More recently, he is the recipient of the 2004 K S FU prize of the International Association for Pattern Recognition, the 2005 Kirchmayer Graduate Teaching Award of the IEEE and the 2007 Okawa Prize of the Okawa Foundation of Japan.. He is a Life Fellow of IEEE and Golden Core member of IEEE Computer Society. He has authored and edited a number of books, chapters, proceedings of conferences, and papers.

 

 

Don Marinelli Donald Marinelli is a tenured Professor of Drama and Arts Management at Carnegie Mellon University and is also the Executive Producer of the Entertainment Technology Center, joint initiative between the School of Computer Science and the College of Fine Arts, specializing in all manner of digital arts and entertainment. He has been at Carnegie Mellon for twenty-six years where he served as the Assistant Head of the Drama Dept. (1980-86) and later the Associate Department Head (1986-95). He was integral in creation of the Master of Arts Management (MAM) program, the Master of Fine Arts in Acting degree program with the Moscow Art Theatre School in Russia, and, with colleague Randy Pausch, he co-founded the Master of Entertainment Technology (MET) degree program and the ETC. Carnegie Mellon is the first school to offer a degree program in entertainment technology. A native of Brooklyn, New York, he has lived in Pittsburgh for thirty-two years, coming here shortly after completing his undergraduate degree at the University of Tampa. He attended Duquesne University in Pittsburgh where he received a M.A. in Clinical Psychology specializing in Existential-Phenomenological Psychology. He subsequently attended the University of Pittsburgh where he received his Ph.D. in theatre history, literature, and criticism in 1987 with a dissertation on the Italian Futurist F.T. Marinetti. He is currently leading the expansion of the Entertainment Technology Center internationally with ETC branch campuses in Adelaide, Australia; Silicon Valley, California; and Osaka, Japan.

 

 

Paola Antonelli Paola Antonelli is senior curator of architecture and design at The Museum of Modern Art in New York, where she has worked since 1994. Before MoMA, she curated design and architecture exhibitions in many countries and worked as contributing editor for Domus magazine and design editor of Abitare. She has lectured on design and architecture worldwide and has published numerous articles in publications ranging from Seed and Nest to The Harvard Design Review. Antonelli is author of a number of books, including Workspheres (2001), Objects of Design from the Modern Museum of Art (2003), Humble Masterpieces (2005), and Design and the Elastic Mind (2008). EMPLOYMENT The Museum of Modern Art, Department of Architecture and Design, Senior Curator (2007-ongoing), Associate Curator (1994-1999), Curator (1999-2007), and Acting Chief Curator(Mar 2006-Jan 2007). School of Visual Arts, MFA Design, Visiting Professor, 1999-ongoing School of Visual Arts, MFA Design Criticism, Visiting Professor, 2009-ongoing Harvard Graduate School of Design, Visiting Professor, 2002-2007 Abitare, Design Editor, 1992-94 University of California Los Angeles, Lecturer, 1990-93 Domus, Contributing Editor, 1987-1991 EDUCATION Polytechnic of Milan, Master’s in Architecture, 1990 Bocconi University, Milan, Economic and Social Disciplines (1988-89) GRANTS and AWARDS "Design Mind" Award, Cooper-Hewitt National Design Museum, October 2006 Senior Fellow, Royal College of Art, London, June 2006 Honorary Doctorate in Design (HonDDes), Kingston University, London, March 2006 The Iris Foundation Award for Outstanding Contribution to the Decorative Arts, April 2004 World Technology Network Award for Innovation, 2004 Bronze Apple Award, Industrial Designers' Society of America, 1997 Norton Family Foundation Curatorial Grant, 1996 EXHIBITIONS Ron Arad, The Museum of Modern Art, co-organized with Patricia Juncosa Vecchierini, Curatorial Assistant, Department of Architecture and Design (upcoming, 8/2/2009 .10/19/2009) Rough Cut: Design Takes a Sharp Edge, The Museum of Modern Art, co-organized with Patricia Juncosa Vecchierini, Curatorial Assistant, Department of Architecture and Design(11/26/2008-ongoing) Design and the Elastic Mind, The Museum of Modern Art, co-organized with Patricia Juncosa Vecchierini, Curatorial Assistant, Department of Architecture and Design (2/24/2008-5/12/2008) Just In: Recent Acquisitions from the Collection, The Museum of Modern Art, co-organized with Christian Larsen, Curatorial Assistant, Department of Architecture and Design(12/21/2007-10/27/2008) Digitally Mastered: Recent Acquisitions from the Museum's Collection, The Museum of Modern Art,(co-organized with Christian Larsen, Curatorial Assistant, Department of Architecture and Design, 11/22/2006- 11/27/07) SAFE: Design Takes On Risk, The Museum of Modern Art, (10/16/2005-1/2/2006) Humble Masterpieces, The Museum of Modern Art, (4/8-9/27/2004, touring) Workspheres, The Museum of Modern Art, (2/8-4/22/2001) Open Ends (MoMA 2000 Cycle III) co-director with Kirk Varnedoe and Josh Siegel. Matter, co-curator with Laura Hoptman, as part of the same cycle, The Museum of Modern Art, (9/28/2000-3/4/2001) Projects 66: Campana/Ingo Maurer, The Museum of Modern Art, (11/27/1998-1/19/1999) Achille Castiglioni: Design!, The Museum of Modern Art, (10/16/1997 . 1/6/1998) Thresholds: Contemporary Design from the Netherlands, The Museum of Modern Art, 1996 Mutant Materials in Contemporary Design, The Museum of Modern Art, 1995 (later traveled to Taipei, Taiwan, Museum of Fine Arts, 3/26 . 1/1/96; Tokyo, Living Design Center, 6/18-7/15/96; Prague, Czech Republic, National Gallery of Modern Art, 5/16 - 8/10/97; Groningen, The Netherlands, Groninger Museum, 9/13 . 11/30/97) Mario Bellini Architecture and Design, Tokyo Design Center, April-May 1992 Techniques Discretes, Musee des Arts decoratifs, Paris, 1991 Mobili Italiani 1961-1991, Triennale of Milan, 1991 Collezione per un modello di museo del disegno industriale Italiano, Lingotto Factory, Turin, 1990 Curator of the Domus contribution to the exhibition on the history of architectural publications, with Pierre Restany, Seoul, Korea, 1988 Curator of the Domus contribution to the exhibition on architecture publishing organized by Jorge Glusberg at the CAYC of Buenos Aires, Argentina, 1987 Curator and designer of the traveling exhibition Domus through Domus, Chicago, Illinois and Toronto, Montreal, and Vancouver, 1987 Curatorial Collaborator on Le Citta Immaginate exhibition at the Triennale of Milan, Italy, 1986. Curated by Vittorio Magnago Lampugnani BOARDS and ADVISORY GROUPS World Economic Forum’s Global Agenda Council on Design, 2008-ongoing Founding board member, 5D: The Future of Immersive Design conference, 2008 Design Trust for Public Space, Council, 2007-ongoing DIFFA (The Design Industries Foundation Fighting Against AIDS), Board of Trustees, 2005-ongoing Dwell Magazine, Editorial Advisory Board, 2004-2007 Architecture and Design Committee, James Beard Awards, 2001-2007 Van Alen Institute, New York, Board of Trustees, 1999-2007 International Design Conference in Aspen, Colorado, Board of Directors, 1995-2000 Design Center at The Municipal Art Society of New York, Executive Committee, 1998-2000

 

 

Kostas Terzidis Kostas Terzidis is an Associate Professor at the Harvard Graduate School of Design. His current GSD courses are Kinetic Architecture, Algorithmic Architecture, Digital Media I & II, Cinematic Architecture, and Design Research Methods. He holds a PhD in Architecture from the University of Michigan (1994), a Masters of Architecture from Ohio State University (1989) and a Diploma of Engineering from the Aristotelion University in Thessaloniki, Greece (1986). He is a registered architect in Europe where he has designed and built several commercial and residential buildings. His research work focuses on creative experimentation within the threshold between arts, architecture, and computer science. As a professional computer programmer he is the author of many computer applications on form-making, morphing, virtual reality, and self-organization. His most recent work is in the development of theories and techniques for algorithmic architecture. His book Expressive Form: A Conceptual Approach to Computational Design published by London-based Spon Press (2003) offers a unique perspective on the use of computation as it relates to aesthetics, specifically in architecture and design. His book Algorithmic Architecture, (Architectural Press/Elsevier, 2006), provides an ontological investigation into the terms, concepts, and processes of algorithmic architecture and provides a theoretical framework for design implementations. His latest book Algorithms for Visual Design by Wiley (2009) provides students, programmers, and researchers the technical, theoretical, and design means to develop computer code that will allow them to experiment with design problems. 코스타스 테르지디스는 하버드대학 디자인`대학원의 부교수로 재직 중이다.. 그는 현재 키네틱 건축(동적 건축), 알고리즘 건축, 디지털 미디어 I, II, 시네마틱 건축, 그리고 디자인 연구 방법론에 대한 강의를 하고 있다. 1986년 그리스의 테살로니키에 위치한 아리스토텔리온 대학에서 공학을 전공하고 1989년 오하이오 주립대학교에서 건축학 석사, 1994년 미시간 대학에서 건축학 박사 학위를 취득하였다. 유럽 건축사로 등록되어 있으며 상업용, 주거용 건물들을 설계및 건축 하였다. 그의 연구는 예술, 건축, 그리고 컴퓨터 과학의 경계에서 진행되는 독창적인 실험에 집중되어 있다. 그는 전문 컴퓨터 프로그래머이자 폼 메이킹, 모핑, 가상현실, 자기 조직화에 관한 여러 컴퓨터 응용분야 책을 저술 하였다. 최근 관심분야는 알고리즘적 건축을 위한 기술과 이론들의 개발이다. 런던 Spon Press 출판사에서 2003년에 발행된 그의 저서 Expressive Form: A Conceptual Approach to Computational Design에서는 특히 건축과 디자인과 관련한 컴퓨터의 사용에 대해 독특한 관점을 제시 하였으며 또 다른 저서 Algorithmic Architecture(Architectural Press/Elsevier, 2006)에서는 알고리즘적 건축의 용어와 개념, 과정의 형이상학적 조사와 설계를 진행하는데 필요한 이론적인 틀에 대해 설명 하였다. 가장 최근 저서인 Algorithms for Visual Design(Wiley, 2009)은 학생들과 프로그래머들, 연구자들에게 디자인 문제를 실험할 때 필요한 컴퓨터 프로그램을 개발하기 위한 기술적, 이론적, 디자인 방법들을 제시하고 있다.

 

 

Makoto Sato Education Background: Ph.D. (Mar.1978) Dept.of Electrical Engineering, Tokyo Institute of Technology M.Sc. (Mar.1975) Dept.of Electrical Engineering, Tokyo Institute of Technology B.Eng. (Mar.1973) Dept.of Electrical Engineering, Tokyo Institute of Technology Employment Record: Research Associate (Apr.1978~Feb.1986) Dept. of Computer Science, Faculty of Engineering, Tokyo Institute of Technology Associate Professor (Mar.1986~Mar.1996) Precision and Intelligence Laboratory, Tokyo Institute of Technology Professor (Apr.1996!) Precision and Intelligence Laboratory, Tokyo Institute of Technology Membership of committee: IEEE Virtual Reality Society of Japan (VRSJ) The Institute of Electronics, Information and Communication Engineers (IEICE) The Institute of Image Electronics Engineers of Japan (IIEEJ) The Institute of Image Information and Television Engineers Human Interface Society of Japan Information Processing Society of Japan (IPSJ) Japanese Society for Artificial Intelligence (JSAI) Awards NICOGRAPH International 2002 Best Paper Award for High Quality and Advanced Research work in the CG field (2002.5) LAVAL VIRTUAL 2002 AWARDS' PALMARES(Category Engineer)(2002.7) CAADRIA 2004 Best Presentation(2004.4) EuroHaptics 2004 Best Paper Award(2004.6) Other Positions Chairman of the Virtual Reality Society of Japan Manager of the 3D Image Forum of Japan Chairman of Multimedia committee of The Institute of Electronics, Information and Communication Engineers (IEICE) Precision and Intelligence Laboratory Tokyo Institute of Technology R2-13 4259, Nagatsuta-machi, Midori-ku, Yokohama,226-8503, Japan Tel: +81-45-924-5050 Fax: +81-45-924-5016 E-mail: msato@pi.titech.ac.jp

 

 

Perry ha Perry Ha is a CEO and Managing Director of DFJ Athena. In 1997, he founded Athena Technology Ventures, a Silicon Valley based venture capital fund with an investment focus on early-stage startups in IT. He applied his hands-on approach to investing and building companies. He has invested in and/or served on the board of many companies including Ipivot [INTC], Demandtec [DMAN], Imparto Software [PKS], ProfitLogic [ORCL], and Zantaz [Autonomy symbol]. He also served as interim CEO in two different companies. Prior to venture capital, he led the Product Development and Technology Management Practice at Gemini Consulting, a global management consultancy, helping Fortune 1000 clients manage technology portfolios and develop new products. He also managed a Development Group at Amicon, a life sciences device company, which was successfully sold to Milipore in 1994. He was granted two design patents during his tenure at Amicon. He serves on the Advisory Board of Seoul Software Incubator (SVI), on the board of Korean American Society of Entrepreneurs (KASE), and on the Leadership Board of MIT’s McGovern Institute for Brain Research. He earned B.S. and M.S. degrees from Massachusetts Institute of Technology and an M.B.A. from Harvard Business School. He was the captain of his collegiate volleyball team and was selected to Division I NCAA All-American Third Team. He is a life-long student and teacher of Tae Kwon Do, a Korean martial art in which he has been a certified Master Instructor since 1992. 페리 하는 DFJ Athena의 CEO이자 매니징 디렉터이다. 1997년에 그는 아테나 테크놀러지 벤처를 설립했고, 실리콘 밸리의 투자 중심의 벤처 캐피탈 펀드는 초기 단계의 IT에 중점을 두고 있다. 현재 Ipivot [INTC], Demandtec [DMAN], Imparto Software [PKS], Profitlogic [ORCL], Zantaz [Autonomy Symbol]를 포함한 많은 기업들의 위원회에 투자해 왔고, 다른 두 회사에서 중간 CEO도 맡고 있다. 벤처 캐피탈 전에는, 글로벌 매니지먼트 컨설턴시인 Gemini Consulting에서 1000명의 클라이언트가 기술 포트폴리오의 관리와 새로운 제품 개발로 함으로서 Product Development and Technology Management를 주도했었다. 또한, 생활 과학 디바이스 회사이며 1994년에 성공적으로 Milipore에게 팔린 Amicon에서 개발 그룹을 관리하기도 했다. 현재는 Advisory Board of Seoul Software Incubator, board of Korean American Society of Entrepreneurs, Leadership Board of MIT’s McGovern Institute for Brain Research에서 활동 중이다. MIT에서 학사와 석사를 하버드 비즈니스 스쿨에서 MBA학위를 받았으며, 대학 배구팀의 주장으로도, Division I NCAA All-American 3rd Team 으로 뽑히기도 했다. 한국의 전통 무예인 태권도를 오랫동안 수련했고, 자격증을 받은 1992년부터는 사범으로도 활동 중이다.

 

 

Sarah Kenderdine Sarah Kenderdine by training a maritime archaeologist and museum curator and has published several authoritative books on shipwrecks. Sarah currently researches at the forefront of interactive experiences for museums, focused on immersive architectures that promote a kinaesthetic inhabitation and evolving narratives with tangible/intangible aspects of culture and heritage. She is currently head of Special Projects and The Virtual Room at Museum Victoria, Director of the International Society of Virtual Systems and Multimedia and an Associate Researcher at RMIT University. Since 2000, Sarah’s primary contributions to the field include nine major installations delivered through six distinct immersive architectures and one curated exhibition (2008-2010). This research has been enabled through a number of major Australian Research Council and governmental grants Written work during this period includes two books including the co-edited/co-authored book Theorizing Digital Cultural Heritage: a critical discourse, MIT Press, 2007. 사라 캔더다인은 해상 고고학자이자, 박물관 큐레이터로 훈련을 받았고, 난파선에 관한 권위있는 몇 권의 책을 출간하였다. 그녀는 최근 미술관이나 박물관에서 발생하는 상호작용적 체험에 관한 첨단의 연구를 진행 중이며, 운동미학적인 거주를 비롯해, 문화와 유적의 촉각, 혹은 비촉각적 측면에 관련된 진화하는 서사를 유발하는 몰입적 건축에 많은 관심을 갖고 있다. 그녀는 현재 호주 빅토리아 박물관의 특별 프로젝트와 가상 전시실의 책임자로 있으며, 가상 시스템과 멀티미디어 국제 학회(VSMM) 디렉터, 그리고 호주 RMIT 대학의 연구원으로 일하고 있다. 2000년도부터 그녀는 여섯 개의 괄목할 만한 몰입적 건축을 통해 구현된 아홉 개의 주요 설치작업들과 하나의 기획전시(2008~2010)를 통해 이 분야에 기여해 왔다. 이 연구는 다수의 주요한 호주 연구 평의회와 정부 지원금을 통해 가능할 수 있었다. 이 시기의 저술로는 공동편집과 저술로 완성된 “디지털 문화유적의 이론화: 비평논문(MIT Press 2007)”을 포함한 두 권의 책이 있다.

 

 

Bernd Lintermann Bernd Lintermann works as artist and scientist in the field of real time computer graphics with a strong focus on interactive and generative systems. The results of his research are applied in the scientific, creative and commercial context. His body of work spans more than ten years and includes prints, interactive installations, projection environments and stage performances combining generative imagery and sound. His works have been exhibited in museums and festivals all over the world like the ICC InterCommunication Center in Tokyo, the Louisiana Museum of Modern Art, ZKM | Karlsruhe, ISEA, DEAF and the Ars Electronica Festival. He worked with internationally renowned artists, like Bill Viola, Peter Weibel and Jeffrey Shaw, and created works for various display environments like the CAVE™, the EVE Dome and panoramic projection environments. He has published various scientific papers including SIGGRAPH and is cofounder of the company greenworks which distributes his software development Xfrog, a procedural organic modelling and animation system used in the entertainment industry and by various animation companies including Electronic Arts, Lucas Digital and Digital Domain. Since 2005 he is head of the Institute for Visual media at the ZKM | Center for Art and Media in Karlsruhe and professor at the State University of Design, Media and Arts in Karlsruhe.

 

 

L Bruemmer Born and raised in Germany. Diploma in psychology/sociology in 1983. Between 1983-1989 composition studies with Nicolaus A. Huber (instrumental) and Dirk Reith ( electroacoustic ) at the Folkwang Hochschule Essen. Commission and collaboration with choreographer Susanne Linke for the choreography " Ruhrort ", followed by several international performances in America, Europe and Asia (Paris, Theatre de Ville, Tel Aviv, Charleroi, Madrid and some others). Ballet music for the " Nederlands Dans Theater " with his orchestra piece " Riti Contour". Work with solo dancers for choreographies for example "Le temps s'ouvre " with electroacoustic music . Collaboration with Christian Moeller for Multimedia Expositions in Tokyo's Spiral Hall. International Performances f.e . at the INA, Paris or at ICMC's in SanJose , Tokyo, Banff, Thessaloniki. After having taught composition and analysis at the Folkwang Hochschule Essen for 8 years he accepted a position as research fellow at Kingston University London in 2000 and continued to teach as lecturer for composition at the Sonic Arts Research Centre at Queen´s University Belfast. Since April 2003 he is directing the "Institute for Music and Acoustics" at the "Centre for Arts and Media Karlsruhe". In 2009 he became a member of the "Academy of the arts" in Berlin. Awards: Folkwang Award/Essen, Award from the WDR and performance of an orchestra piece in the Philharmony Cologne. Busoni Award of the "Akademie der Kuenste "/Berlin, Golden Nica at the " ArsElectronica 1994" and a second prize at the " ArsElectronica 1997", Linz , Austria, "Larry Austin Award", ICMA San Francisco, "Pierre d'Or " at the Concours international de Musique electroacoustique ,Bourges in 1997 and 2001, first prize at the "Rostrum for electroacoustic music" by the UNESCO. Prize at "Musica Sacrae" 2001, Fribourg Switzerland. Scholarship of the German government by the DAAD . Visiting Scholar at the Center for Computer Research in Music and Acoustic ( CCRMA ) Stanford University between 1991 and 1993. Stipend from the Center for Art and Media technology ( ZKM )Karlsruhe for the creation of a work with physical models. " Menzioni D'Onore " at the Luigi Russolo Award, Italy and the Stockholm Electronic Music Award. 1995 and 1996 Member of the jury of the "Prix ARS Electronica ". Several Publications in the Computer Music Journal, Organised sound and other periodicals and books. Including an interview with Karlheinz Stockhausen about his music and ideas.